E.A. Greening Lamborn |
Historic Heraldry of Britain. An illustrated series of British historical arms, with notes, glossary, and an introduction to heraldry, by Anthony R. Wagner |
9/1 |
|
p. 30 |
Olive Sayce |
Die Strophik Walthers von der Vogelweide: Ein Beitrag zu den Aufbauprinzipien in der lyrischen Dichtung des Hochmittelalters, by Karl-Heinz Schirmer |
27/1 |
|
p. 30 |
Ursula Dronke |
Bibliography of Chaucer: 1908-1953, by D. D. Griffith |
27/1 |
|
p. 39 |
E.C. Llewellyn |
La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold |
4/1 |
|
p. 52 |
Kemp Malone |
A History of the Anglo-Saxons, Two volumes, by R. H. Hodgkin |
6/1 |
|
p. 57 |
J.H. Mozley |
Opicinus de Canistris : Weltbild und Bekenntnisse eines avignonesischen Klerikers des 14. Jahrhunderts, by Richard Salomon, A. Heimann, R. Krautheimer |
7/1 |
|
p. 59 |
D.R. McLintock |
An Introductory Middle High German Text. Hartmann von Aue's 'Der arme Heinrich' as printed by C. H. Myller with Introduction, Grammar , Notes and Vocabulary, by Hugh Sacker |
35/1 |
|
p. 61 |
Mario Praz |
Neoplatonism of the Italian Renaissance, by Nesca A. Robb |
7/1 |
|
p. 68 |
D.S. Brewer |
Boccaccio in England from Chaucer to Tennyson, by H. G. Wright |
28/1 |
|
p. 68 |
Richard Axton |
The Latin Passion Play: Its Origins and Development, by Sandro Sticca |
|
|
p. 70 |
T.S.R. Boase |
The Joshua Roll. (Studies in MS. Illumination, No. 3), by Kurt Weitzmann |
18/ |
|
p. 75 |
J.A.W. Bennett |
English Mediaeval Graffiti, by V. Pritchard |
39/1 |
|
p. 77 |
CEDRIC E. PICKFORD |
The Development of Arthurian Romance, by R. S. Loomis |
34/1 |
|
p. 84 |
Phyllis M. Giles |
Illuminated Manuscripts in the Bodleian Library, Oxford. 2: Italian School, by Otto Pächt, J. J. G. Alexander |
41/1 |
|
p. 84 |
Kenelm Foster |
Centenary Essays on Dante, by Members of the Oxford Dante Society |
36/1 |
|
p. 85 |
F.M. Powicke |
Mediæval and Renaissance Studies. Volume I, number 1, by Richard Hunt, Raymond Klibansky |
11/ |
|
p. 91 |
Nicolas Jacobs |
Chaucer's Dream Poetry: Sources and Analogues, Chaucer Studies, 7, by B. A. Windeatt |
57/1 |
|
p. 104 |
Janet Backhouse |
The Medieval Manuscripts of Keble College, Oxford, by M. B. Parkes |
50/1 |
|
p. 107 |
LIZ JAMES |
Leslie Brubaker, Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the 'Homilies of Gregory of Nazianzus' |
69/1 |
|
p. 110 |
A.J. PIPER |
Rodney Thompson (ed.), The Bury Bible |
73/1 |
|
p. 113 |
Christopher Storey |
A Critical Edition of the 13th and 14th Centuries Old French Poem Versions of the 'Vie de Saint Alexis'. (Beihefte zur Zeitschrift für romanische Philologie 145), by Charles E. Stebbins |
45/1 |
|
p. 117 |
Leslie C. Brook |
Andreas and the Ambiguity of Courtly Love, by Paolo Cherchi |
65/1 |
|
p. 120 |
Helen Cooper |
English Medieval Narrative in the Thirteenth and Fourteenth Centuries, by Piero Boitani, Joan Krakover Hall |
53/1 |
|
p. 121 |
Jeffrey Hamburger |
François Boespflug, Olivier Christin, and Benoit Tassel (introd., trans., and ed.), Johannes Molanus; traité des saintes images, Patrimoines Christianisme |
67/1 |
|
p. 121 |
Peter S. Noble |
Matthew of Vendôme: 'The Art of Versification', by Aubrey E. Galyon |
51/1 |
|
p. 122 |
Nigel Palmer |
Wilfried Werner, Die mittelalterlichen nichtliturgischen Handschriften des Zisterzienser klosters Salem, Kataloge der Universitätsbibliothek Heidelberg 5 |
71/1 |
|
p. 124 |
RICHARD GAMESON |
Andrea Worm, Das Pariser Perikopenbuch und die Anfänge der romanischen Buchmalerei an Rhein und Weser |
78/1 |
|
p. 124 |
E.V. Gordon |
Geoffrey Chaucer, by John Livingston Lowes |
6/2 |
|
p. 125 |
SARAH SALIH |
Jane Cartwright, Feminine Sanctity and Spirituality in Medieval Wales, Religion and Culture in the Middle Ages |
78/1 |
|
p. 126 |
Daniel Anlezark |
Benjamin C. Withers, The Illustrated Old English Hexateuch, Cotton Claudius B.iv: The Frontier of Seeing and Reading in Anglo-Saxon England |
80/2 |
|
p. 129 |
Macklin Smith |
Ad Putter, Judith Jefferson, and Myra Stokes, Studies in the Metre of Alliterative Verse |
80/2 |
|
p. 131 |
R.T. Davies |
Studies on Chaucer and his audience. (Les éditions 'L'éclair': Hull, Canada, 1956), by Mary Giffin |
27/2 |
|
p. 131 |
L.M.J. Delaissé |
Die illustrierten Handschriften der Burgerbibliothek Bern. Die Vorkarolingischen und Karolingischen Handschriften, by Otto Homburger |
32/2 |
|
p. 131 |
CAROLINE YELDHAM |
Bridget Ann Henisch, The Medieval Cook |
79/1 |
|
p. 132 |
James Kinsley |
King James IV of Scotland, A Brief Survey of his Life and Times, by R. L. Mackie |
28/2 |
|
p. 135 |
Rosemary Cramp |
Colum's Other Island. The Irish at Lindisfarne, by Gareth W. Dunleavy |
31/2 |
|
p. 137 |
C.R. Dodwell |
Norman Illumination at Mont St. Michel, 966-1100, by J. J. G. Alexander |
41/2 |
|
p. 137 |
David Barrett |
The Kalevala, or Poems of the Kaleva District, by Elias Lönnrot, F. Peabody Magoun Jr. |
35/2 |
|
p. 138 |
C. David Benson |
Seeable Signs: The Iconography of the Seven Sacraments 1350—1544, by Ann Eljenholm Nichols |
65/1 |
|
p. 138 |
R.W. Southern |
The York Psalter in the Library of the Hunterian Museum, Glasgow, by T. S. R. Boase |
34/2 |
|
p. 139 |
Jeffrey Hamburger |
Berthold Kress, Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558) |
84/1 |
|
p. 142 |
KAREN PRATT |
Douglas Kelly, The Art of Medieval French Romance |
67/1 |
|
p. 142 |
Kathleen Chesney |
Poèmes de Transition (xve—xvie siècles). Rondeaux du MS. 402 de Lille, by Marcel Françon |
8/2 |
|
p. 143 |
Eliza Zingesser |
Benoît Grévin, Le Parchemin des cieux: Essai sur le Moyen Âge du langage (Eliza Zingesser) |
84/1 |
|
p. 143 |
Nicolas Jacobs |
Kings, Beasts and Heroes, by Gwyn Jones |
43/2 |
|
p. 144 |
Bronach Kane |
Elizabeth L’Estrange, Holy Motherhood: Gender, Dynasty and Visual Culture in the Later Middle Ages |
81/2 |
|
p. 145 |
D.D.R. Owen |
Huon de Bordeaux et l'évolution du genre épique au XIIIe siècle, by Marguerite Rossi |
46/1 |
|
p. 146 |
Britt Mize |
Michael D. C. Drout, Tradition and Influence in Anglo-Saxon Literature: An Evolutionary, Cognitivist Approach (Britt Mize) |
84/1 |
|
p. 147 |
PETER HAINSWORTH |
Claire E. Honess (ed.), Dante: Current Trends in Dante Studies, Special Issue, Reading Medieval Studies, 27 (2002) |
74/1 |
|
p. 148 |
JEAN DUNBABIN |
Max Harris, Sacred Folly: A New History of the Feast of Fools |
81/2 |
|
p. 148 |
MICHAEL JOHNSTON |
Katharine Breen, Imagining an English Reading Public, 1150–1400 |
81/2 |
|
p. 150 |
Derek Pearsall |
A. C. Spearing, Medieval Autographies: The ‘I’ of the Text (Derek Pearsall) |
84/1 |
|
p. 150 |
J.B. Trapp |
English Medieval Mural Paintings, by A. Caiger-Smith |
33/2 |
|
p. 151 |
Greg Walker |
Douglas Gray, The Phoenix and the Parrot: Skelton and the Language of Satire (Greg Walker) |
84/1 |
|
p. 151 |
Otto Pächt |
Miniature Painting in the Latin Kingdom of Jerusalem, by H. Buchthal |
29/2 |
|
p. 151 |
William Burgwinkle |
Fidel Fajardo-Acosta, Courtly Seductions, Modern Subjectivities: Troubadour Literature and the Medieval Construction of the Modern World |
81/2 |
|
p. 152 |
G.W.S. Friedrichsen |
Die geistige Welt der Gotik und ihre Bedeutung für Italien. (Deutsche Vierteljahrschrift für Literaturwissenschaft und Geistesgeschichte, 25 Band), by Georg Weise |
8/2 |
|
p. 152 |
Jeremy Lawrance |
Iconography in Medieval Spanish Literature, by John E. Keller, Richard P. Kinkade |
55/1 |
|
p. 152 |
Nigel Palmer |
Joan A. Holladay, Illuminating the Epic: The Kassel 'Willehalm' Codex and the Landgraves of Hesse in the Early Fourteenth Century, College Art Association Monograph on the Fine Arts 54 |
68/1 |
|
p. 152 |
J. Carey |
In Search of Chaucer, by B. H. Bronson |
31/2 |
|
p. 153 |
Marilyn Lawrence |
Insaf Machta, Poétique de la ruse dans les récits tristaniens français du XIIe siècle |
81/2 |
|
p. 154 |
Douglas J. Gillam |
Villard de Honnecourt, kritische Gesamtausgabe des Bauhüttenbuches MS. fr. 19093 der Pariser National-bibliothek, by Hans R. Hahnloser |
6/2 |
|
p. 156 |
David Matthews |
Monica Santini, The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth and Nineteenth-Century Britain (David Matthews) |
84/1 |
|
p. 156 |
JONATHAN USHER |
Pier Massimo Forni, Adventures in Speech: Rhetoric and Narration in Boccaccio's 'Decameron' |
66/1 |
|
p. 156 |
Tim Atkin |
Nicola Morato, Il ciclo di ‘Guiron le Courtois’: Strutture e testi nella tradizione manoscritta (Tim Atkin) |
84/1 |
|
p. 157 |
ADRIAN ARMSTRONG |
Denis Hüe, Rémanences: Mémoire de la forme dans la littérature médiévale |
81/2 |
|
p. 158 |
J.A.W. Bennett |
Scandinavian Archæology, by Haakon Shetelig, Hjalmar Falk, E. V. Gordon |
7/2 |
|
p. 161 |
Alfred Ewert |
Apollo und Daphne. (Studien der Bibliothek Warburg), by Wolfgang Stechow, Fritz Saxl |
3/2 |
|
p. 161 |
Sebastian Coxon |
James A. Rushing, Jr, Images of Adventure: Ywain in the Visual Arts, Middle Ages Series |
66/1 |
|
p. 162 |
Beatrice Priest |
Julie Singer, Blindness and Therapy in Late Medieval French and Italian Poetry |
81/2 |
|
p. 164 |
SARAH FOOT |
The English Church and the Continent in the Tenth and Eleventh Centuries: Cultural, Spiritual and Artistic Exchanges, by Veronica Ortenberg |
63/1 |
|
p. 164 |
Shami Ghosh |
Susanne Knaeble, Höfisches Erzählen von Gott: Funktion und narrative Entfaltung des Religiösen in Wolframs ‘Parzival’ |
81/2 |
|
p. 165 |
J.J.G. Alexander |
Alexander Historiatus. A guide to mediæval illustrated Alexander literature. Warburg Institute Surveys, I, by D. J. A. Ross |
34/2 |
|
p. 165 |
E.F. Jacob |
Saints and Scholars, by David Knowles |
32/2 |
|
p. 165 |
PAULA CLIFFORD |
The Lais of Marie de France: Text and Context, by Glyn S. Burgess |
58/1 |
|
p. 166 |
Elizabeth Porter |
The Rise of Romance, by Eugene Vinaver |
42/2 |
|
p. 168 |
Celia Sisam |
The Vespasian Psalter. (Early English Manuscripts in Facsimile xiv), by David H. Wright, Alistair Campbell |
39/2 |
|
p. 171 |
W. Ann Trindade |
The Anatomy of Love. The Tristan of Gottfried von Strassburg, by W. T. H. Jackson |
43/2 |
|
p. 173 |
C.L. Wrenn |
A Reading of Beowulf, by Edward Irving Jnr. |
38/2 |
|
p. 175 |
L.M.J. Delaissé |
Illuminated Manuscripts in the Bodleian Library, Oxford. I. German, Dutch, Flemish, French and Spanish Schools, by O. Pächt, J. J. G. Alexander |
37/2 |
|
p. 176 |
Dorena Allen Wright |
Twelve Beowulf Papers 1940-1960, by A. Bonjour |
34/2 |
|
p. 177 |
J.J. Anderson |
The Legend of Job in the Middle Ages, by Lawrence L. Besserman |
50/1 |
|
p. 179 |
Margaret Thomas |
Die Gebärde im Drama des Mittelalters: Osterfeiern. Osterspiele. (Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 49), by Anke Roeder |
47/1 |
|
p. 182 |
M.J. Angold |
Interaction of the 'Sibling' Byzantine and Western Cultures in the Middle Ages and Italian Renaissance (330—1600), by D. J. Geanakoplos |
47/1 |
|
p. 189 |
David Abulafia |
The Norman Empire, by J. Le Patourel |
47/1 |
|
p. 190 |
Meg Twycross |
A Mirror of Chaucer's World, by Roger Sherman Loomis |
36/2 |
|
p. 191 |
Phyllis M. Giles |
Illuminated Manuscripts in the Bodleian Library, Oxford, 3. British, Irish and Icelandic Schools, with addenda to volumes 1 and 2, by Otto Pächt, J. J. G. Alexander |
|
|
p. 194 |
Jill Mann |
Chaucer's Physician. (Tulane Studies in English 19), by Huling E. Ussery |
43/2 |
|
p. 195 |
P. Bibire |
Scaldic Poetry, by E. O. G. Turville-Petre |
47/1 |
|
p. 199 |
Janet Backhouse |
The Caxton Master and his Patrons. Cambridge Bibliographical Society Monograph 8, 1976, by Kathleen L. Scott |
47/1 |
|
p. 201 |
Alison Wilson |
The Judensau: A Medieval Anti-Jewish Motif and its History. (Warburg Institute Surveys 5), by Isaiah Schachar |
47/1 |
|
p. 205 |
W.O. Hassall |
Le Juif médiéval au miroir de l'art chrétien, by Bernhard Blumenkranz |
36/2 |
|
p. 209 |
Ursula Dronke |
Dating the Icelandic Sagas. Text Series Vol. III, by Einar Ól. Sveinsson |
29/3 |
|
p. 210 |
J.J.G. Alexander |
La décoration des manuscrits à Saint-Martial de Limoges et en Limousin du IXe au XIIe siècle. (Mémoires et documents publiés par la société de l'école des chartes 17), by D. Gaborit-Chopin |
40/2 |
|
p. 210 |
Ruth Harvey |
King Rother, (University of North Carolina Studies in the German Languages and Literatures, No. 36), by Robert Lichtenstein |
33/3 |
|
p. 214 |
Joan Turville-Petre |
Widsith, by Kemp Malone |
32/3 |
|
p. 217 |
Tony Hunt |
Story, Myth and Celebration in Old French Narrative Poetry 1050-1200, by Karl D. Uitti |
45/2 |
|
p. 217 |
F. Norman |
Die Welt der Germanen, by Jan de Vries |
4/3 |
|
p. 228 |
J.A.W. Bennett |
Siena the City of the Virgin, by Titus Burckhardt, Margaret McDonough Brown |
31/3 |
|
p. 228 |
Otto Pächt |
Meditations on the Life of Christ—An Illustrated Manuscript of the Fourteenth Century (Paris, Bibl. Nat., MS. Ital. 115), by Isa Ragusa, Rosalie B. Green |
32/3 |
|
p. 234 |
A.V.C. Schmidt |
Medieval Studies for J. A. W. Bennett Aetatis Suae LXX, by P. L. Heyworth |
51/2 |
|
p. 234 |
J.A. Smith |
The Works of Morris and Yeats in relation to early Saga literature, by Dorothy M. Hoare |
8/3 |
|
p. 240 |
A.C. Spearing |
Chaucer and the English Tradition, by Ian Robinson |
42/3 |
|
p. 282 |
M.J. ALEXANDER |
Anglo-Saxon Poetry, by S. A. J. Bradley |
54/2 |
|
p. 287 |
John M. Steadman |
Chaucer's House of Fame: The Poetics of Skeptical Fideism, by Sheila Delany |
43/3 |
|
p. 289 |
J.A. Burrow |
C. R. Dodwell, Anglo-Saxon Gestures and the Roman Stage, Cambridge Studies in Anglo-Saxon England 28 |
69/2 |
|
p. 296 |
P.J.C. Field |
Martin Biddle (ed.), King Arthur’s Round Table: An Archaeological Investigation |
70/2 |
|
p. 306 |
J.J.G. Alexander |
Evangelica Historia. Disegni trecenteschi del MS. L. 58. Sup. della Biblioteca Ambrosiana. (Fontes Ambrosiani in Lucem Editi Cura et Studio Bibliothecae Ambrosianae 58), by B. Degenhart, A. Schmitt, A. Paredi |
49/2 |
|
p. 307 |
James Simpson |
Medieval Writers and their Work: Middle English Literature and its Background 1100-1500, by J. A. Burrow |
53/2 |
|
p. 307 |
BELLA MILLETT |
Susan L. Smith, The Power of Women: A 'Topos' in Medieval Art and Literature |
66/2 |
|
p. 307 |
Barbara C. Raw |
The Role of Art in the Late Anglo-Saxon Church, by Richard Gameson |
65/2 |
|
p. 309 |
WILLIAM TYDEMAN |
Patterns of Divine Comedy: a Study in Mediaeval English Drama, by R. D. S. Jack |
59/2 |
|
p. 311 |
Colin Wilcockson |
Chaucer's Dream-Poems, by James Winny |
44/3 |
|
p. 311 |
Richard North |
The Battle of Maldon AD 991, by Donald Scragg |
62/2 |
|
p. 313 |
Éamonn Ó Carragáin |
The Ruthwell Cross: Papers from the Colloquium sponsored by the Index of Christian Art, Princeton University, 8 December 1989, Index of Christian Art, Occasional Papers I, by Brendan Cassidy |
63/2 |
|
p. 317 |
ANNE WINSTON-ALLEN |
Hella Frühmorgen-Voss, with Norbert H. Ott and Ulrike Bodemann, Katalog der deutschsprachigen illustnerten Handschriften des Mittelalters, Vol. VI, fasc. 3/4: 51. Heiligenleben |
75/2 |
|
p. 320 |
James Simpson |
Chaucer and the Early Writings of Boccaccio, Chaucer Studies, 12, by David Wallace |
56/2 |
|
p. 323 |
MARY SWAN |
Pauline E. Head, Representation and Design: Tracing a Hermeneutics of Old English Poetry |
67/2 |
|
p. 323 |
Barbara C. Raw |
Anglo-Saxon Animal Art and its Germanic Background, by George Speake |
50/2 |
|
p. 327 |
Brian J. Reilly |
Virginie Greene, Logical Fictions in Medieval Literature and Philosophy (Brian J. Reilly) |
84/2 |
|
p. 328 |
Meg Twycross |
York Art. A Subject List of Extant and Lost Art Including Items Relevant to Early Drama. (Early Drama, Art, and Music Reference Series 1), by Clifford Davidson, David E. O'Connor |
49/2 |
|
p. 332 |
Christine Carpenter |
The Life and Times of Sir Thomas Malory, Arthurian Studies 29, by P. J. C. Field |
63/2 |
|
p. 334 |
M.B.M. Boulton |
Silvère Ménégaldo, Le Jongleur dans la littérature narrative des XIIe et XIIIe siècles: Du personnage au masque, Nouvelle Bibliothèque du Moyen Âge 74 |
75/2 |
|
p. 335 |
P.J. Frankis |
Geoffrey Chaucer: eine Einführung in seine erzählenden Dichtungen, (Grundlagen der Anglistik und Amerikanistik 7), by Dieter Mehl |
46/2 |
|
p. 335 |
Thorlac Turville-Petre |
Alex Mueller, Translating Troy: Provincial Politics in Alliterative Romance (Thorlac Turville-Petre) |
84/2 |
|
p. 336 |
R.A. Waldron |
St. Erkenwald, by Ruth Morse |
46/2 |
|
p. 336 |
Mark Campbell Chambers |
Claire Sponsler, The Queen’s Dumbshows: John Lydgate and the Making of Early Theater (Mark Chambers) |
84/2 |
|
p. 338 |
Martin Kauffmann |
Keith Busby, Terry Nixon, Alison Stones, and Lori Walters (eds.), Les Manuscrits de Chrétien de Troyes / The Manuscripts of Chrétien de Troyes. Vol. I. Vol. II |
67/2 |
|
p. 338 |
SEBASTIAN JAMES LANGDELL |
Karen Elaine Smyth, Imaginings of Time in Lydgate and Hoccleve’s Verse (Sebastian J. Langdell) |
84/2 |
|
p. 340 |
RALUCA RADULESCU |
Miriam Edlich-Muth, Malory and his European Contemporaries: Adapting Late Arthurian Romance Collections (Raluca Radulescu) |
84/2 |
|
p. 341 |
J.H. Marshall |
An Introduction to Old Provençal Versification, by Frank M. Chambers |
56/2 |
|
p. 341 |
Liz Herbert McAvoy |
Julie A. Chappell, Perilous Passages: The Book of Margery Kempe, 1534–1934 (Liz Herbert McAvoy) |
84/2 |
|
p. 342 |
|
William Calin, The Lily and the Thistle: The French Tradition and the Older Literature of Scotland – Essays in Criticism (Nicola Royan) |
84/2 |
|
p. 344 |
JOHN C. HIRSH |
Fiona Ritchie and Doug Orr, Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia |
84/2 |
|
p. 345 |
Sylvia Huot |
Megan Moore, Exchanges in Exoticism: Cross-Cultural Marriage and the Making of the Mediterranean in Old French Romance (S.H) |
84/2 |
|
p. 347 |
Wan-Chuan Kao |
Bill Burgwinkle and Cary Howie, Sanctity and Pornography in Medieval Culture: On the Verge |
80/1 |
|
p. 347 |
ROSANNA CANTAVELLA |
Meritxell Simó, Jaume Massó i Torrents: ‘La cançó provençal en la literatura catalana’ cent anys després (Rosanna Cantavella) |
84/2 |
|
p. 351 |
JOHN TOOK |
Zygmunt Barański, 'Sole nuovo, luce nuova': saggi sul rinnovamento culturale in Dante |
66/2 |
|
p. 351 |
Christoph Pretzer |
Alastair Matthews, The Kaiserchronik: A Medieval Narrative (Christoph Pretzer) |
84/2 |
|
p. 352 |
Dennis Green |
Eckart Conrad Lutz, Johanna Thali, and René Wetzel, Literatur und Wandmalerei I. Erscheinungsformen höfischer Kultur und ihre Träger im Mittelalter. Freiburger Colloquium 1988 |
72/2 |
|
p. 356 |
Christopher Cannon |
Richard Gameson (ed.), The Study of the Bayeux Tapestry |
67/2 |
|
p. 356 |
ADRIAN STEVENS |
Tristan in the Underworld: a Study of Gottfried von Strassburg's 'Tristan' together with the 'Tristan' of Thomas, Studies in Mediaeval Literature, 10, by Neil Thomas |
62/2 |
|
p. 357 |
Dennis Green |
Bernd Schneidmüller (ed.), Die Welfen und ihr Braunschweiger Hof, Wolfenbütteler Mittelalter-Studien 7 |
66/2 |
|
p. 360 |
Jeffrey Hamburger |
Lieselotte E. Saurma-Jeltsch, Spätformen mittelalterlicher Buchherstellung. Bilderhandschriften aus der Werkstatt Diebold Laubers in Hagenau |
72/2 |
|
p. 362 |
STEPHEN GOLDING |
The Medieval Surgery, by Tony Hunt |
62/2 |
|
p. 366 |