| Olive Sayce |
Die Strophik Walthers von der Vogelweide: Ein Beitrag zu den Aufbauprinzipien in der lyrischen Dichtung des Hochmittelalters, by Karl-Heinz Schirmer |
27/1 |
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p. 30 |
| Norman Davis |
Sir Gawain and the Carl of Carlisle in two versions. (Annales Academiæ Scientiarum Fennicæ B 71, 2), by Auvo Kurvinen |
22/1 |
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p. 37 |
| J.M.S. Pasley |
Poems of Walther von der Vogelweide: thirty new English renderings in the original forms, with the Middle High German texts, selected Modern German translations, and an introduction, by Edwin H. Zeydel, Bayard Quincy Morgan |
22/1 |
|
p. 44 |
| C.S. Lewis |
The Three Estates in Medieval and Renaissance Literature. Columbia University Studies in English and Comparative Literature, by Ruth Mohl |
3/1 |
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p. 68 |
| Georgine Brereton |
Forerunners of the French novel, an essay on the development of the nouvelle in the Later Middle Ages, by Janet M. Ferrier |
25/2 |
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p. 88 |
| R.F.S. Hamer |
The Art and Background of Old English Poetry, by Barbara C. Raw, Edward Arnold |
49/1 |
|
p. 103 |
| ALISON M. PEDEN |
The Complete Medieval Dreambook: a Multilingual, Alphabetical 'Somnia Danielis' Collation, by Steven R. Fischer |
53/1 |
|
p. 104 |
| ALCUIN BLAMIRES |
Social Chaucer, by Paul Strohm |
60/1 |
|
p. 115 |
| CAROLINNE WHITE |
Hugh Primas and the Archpoet, Cambridge Medieval Classics 2, by Fleur Adcock |
65/1 |
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p. 118 |
| I.R. Maxwell |
Egils Saga, by Gwyn Jones |
30/2 |
|
p. 132 |
| ARDIS BUTTERFIELD |
Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt |
63/1 |
|
p. 133 |
| John Scattergood |
'Many a Song and Many a Leccherous Lay': Tradition and Individuality in Chaucer's Lyric Poetry, Garland Studies in Medieval Literature 6, by Jay Ruud |
63/1 |
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p. 135 |
| JILLIAN HILL |
Textes, fonctions et formes. Aspects de la littérature française à l'aube des temps modernes, by Martin Rus |
60/1 |
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p. 137 |
| Spencer Pearce |
The Early Italian Sonnet: the First Century (1220-1321), Collezione di studi e testi, n.s., 2, by Christopher Kleinhenz |
57/1 |
|
p. 140 |
| C. Foligno |
The Transition from the late Latin Lyric to the medieval Love Poem, by Stephen Gaselee |
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p. 141 |
| DAVID MILLS |
The Middle English Mystery Play: A Study in Dramatic Speech and Form, European Studies in English Literature Series, by Hans-Jürgen Diller, Frances Wessels |
63/1 |
|
p. 143 |
| Peter Dronke |
Die englischen Liebesgedichte des MS. Harley 2253, by Theo Stemmler |
32/2 |
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p. 146 |
| Alastair Minnis |
John Gower, the Medieval Poet, by Masayoshi Itô |
47/1 |
|
p. 162 |
| John Stevens |
The chansons of the troubadours and trouvères: a study of the melodies and their relation to the poems, by Hendrik van der Werf |
48/1 |
|
p. 163 |
| ARDIS BUTTERFIELD |
From Song to Book: the Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry, by Sylvia Huot |
58/1 |
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p. 165 |
| JENNIFER PETRIE |
Petrarch the Poet: An introduction to the 'Rerum Vulgarium Fragmenta', by Peter Hainsworth |
59/1 |
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p. 174 |
| R.W. Hunt |
The Oxford Book of Medieval Latin Verse, by F. J. E. Raby |
28/3 |
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p. 189 |
| Derek Pearsall |
The Breton Lay: A Guide to Varieties, by Mortimer J. Donovan |
39/2 |
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p. 207 |
| Alfred Ewert |
La Vie Seint Edmund le Rei. Poème anglo-normand du XIIe siècle par Denis Piramus. (Göteborgs Kungl. Vetenskaps- och Vitterhets-Samhälles Hanglingar, Femte Földjen, Ser. A, Band 4, No. 3), by Hilding Kjellman |
8/3 |
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p. 210 |
| Peter Munz |
Herrscherdarstellungen: Zur Disposition mittelalterlichen Aussageverhaltens, untersucht an Texten über Rudolf I. von Habsburg. (Bibliotheca Germanica 17), by E. Kleinschmidt |
45/2 |
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p. 211 |
| Janet M. Ferrier |
La Prose Narrative Française du XVe Siècle, by Jens Rasmussen |
28/3 |
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p. 217 |
| |
The Pearl. The Fourteenth Century English Poem, by Stanley Perkins Chase |
4/3 |
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p. 239 |
| Thomas Walton |
Œuvres Poétiques, by Guillaume Crétin, Fernand Fleuret |
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p. 240 |
| John Stevens |
Ausgewählte Melodien des Minnesangs, by Ewald Jammers |
33/3 |
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p. 243 |
| J.R. Ashcroft |
Die religiösen Dichtungen des 11. und 12. Jahrhunderts. Band I, by Friedrich Maurer |
35/3 |
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p. 252 |
| Kathleen Chesney |
Christine de Pisan: Ballades, Rondeaux and Virelais, by Kenneth Varty |
35/3 |
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p. 279 |
| HUGH WHITE |
A Companion to Piers Plowman, by John Alford |
59/2 |
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p. 306 |
| R.W.V. Elliott |
The Art of the Gawain-Poet, by W. A. Davenport |
48/2 |
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p. 312 |
| CATHERINE LA FARGE |
Malory: the Critical Heritage, The Critical Heritage Series, by Marylyn Jackson Parins |
59/2 |
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p. 314 |
| A.V.C. Schmidt |
The English Alliterative Tradition, by Thomas Cable |
62/2 |
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p. 314 |
| Helen Cooper |
Pastourelles, (3 vols., Textes Littéraires Français 213, 220, 232), by Jean-Claude Rivière |
46/2 |
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p. 321 |
| D.D.R. Owen |
'Chanson d'Antioche', chanson de geste: le Cycle de la Croisade est-il épique?, Purdue University Monographs in Romance Languages, 2, by Robert Francis Cook |
52/2 |
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p. 322 |
| P.J. Frankis |
Geoffrey Chaucer: eine Einführung in seine erzählenden Dichtungen, (Grundlagen der Anglistik und Amerikanistik 7), by Dieter Mehl |
46/2 |
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p. 335 |
| Andrew M. Beresford |
Louise M. Haywood and Louise O. Vasvári (eds), A Companion to the 'Libro de buen amor', Colccción Tamesis, Serie A: Monografías 209 |
75/2 |
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p. 338 |
| Angus J. Kennedy |
Barbara K. Altmann, The Love Debate Poems of Chrìstine de Pizan: Le Livre du débat de deux amans, Le Livre des trois jugemens, Le Livre du dit de Poissy |
68/2 |
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p. 350 |