| A.B. Scott |
Poetic individuality in the Middle Ages. New Departures in Poetry, 1000-1150, by Peter Dronke |
41/1 |
|
p. 53 |
| Joan Turville-Petre |
Juliana, by Rosemary Woolf |
26/1 |
|
p. 57 |
| Maureen Hanna |
Traditional Imagery of Charity in Piers Plowman, by Ben H. Smith |
38/1 |
|
p. 80 |
| J.R. Collins |
Chaucer and the French Love Poets, by James Wimsatt |
43/1 |
|
p. 80 |
| JOHN NORTON-SMITH |
The Poetry of John Lydgate, by Alain Renoir |
38/1 |
|
p. 88 |
| WENDY SCASE |
The Antifraternal Tradition in Medieval Literature, by Penn R. Szittya |
57/1 |
|
p. 88 |
| David Hook, J.R. WILLIAMSON |
'PENSASTES EL MUNDO POR VOS TRASTORNAR': THE WORLD UPSIDE-DOWN IN THE "DANÇA GENERAL DE LA MUERTE" |
48/1 |
|
p. 90 |
| Alison M. Wilson |
Blind Beasts: Chaucer's Animal World, by Beryl Rowland |
42/1 |
|
p. 91 |
| C.S. Lewis |
The Other World, according to descriptions in Mediæval literature. (Smith College Studies in Modern Languages, New Series, Vol. I), by Howard Rollin Patch |
20/ |
|
p. 93 |
| T.W. Craik |
The Kingis Quair. (Clarendon Medieval and Tudor Series), by James I of Scotland, John Norton-Smith |
42/1 |
|
p. 98 |
| ALISON M. PEDEN |
The Complete Medieval Dreambook: a Multilingual, Alphabetical 'Somnia Danielis' Collation, by Steven R. Fischer |
53/1 |
|
p. 104 |
| HANNEKE WIRTJES |
Beasts and Birds of the Middle Ages: the Bestiary and its Legacy, by Willene B. Clarke, Meradith T. McMunn |
60/1 |
|
p. 107 |
| LIZ JAMES |
Leslie Brubaker, Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the 'Homilies of Gregory of Nazianzus' |
69/1 |
|
p. 110 |
| EDOUARD JEAUNEAU |
Bernardus Silvestris. Cosmographia. (Textus minores in usum Academicum ... editi, 53), by Peter Dronke |
49/1 |
|
p. 111 |
| Joan Blomfield |
Wessex and Old English Poetry, with special consideration of The Ruin, by Cecilia A. Hotchner |
9/2 |
|
p. 114 |
| Kathleen Chesney |
Jean Gerson, prédicateur français, by Louis Mourin |
22/2 |
|
p. 116 |
| F.W. ZIMMERMANN |
Allegory and Philosophy in Avicenna (Ibn Sînâ), with a translation of the Prophet Muhammad's Ascent to Heaven, by Peter Heath |
64/1 |
|
p. 117 |
| Alastair Minnis |
The Mutable Glass: Mirror-Imagery in Titles and Texts of the Middle Ages and English Renaissance, by Herbert Grabes, Gordon Collier |
55/1 |
|
p. 120 |
| D.D.R. Owen |
Le Songe dans la chanson de geste au XIIe siècle, by Herman Braet |
47/1 |
|
p. 122 |
| Stephen Gersh |
Fabula: Explorations into the Uses of Myth in Medieval Platonism. (Mittellateinische Studien und Texte IX), by Peter Dronke |
46/1 |
|
p. 122 |
| David Knowles |
English Friars and Antiquity in the Early Fourteenth Century, by Beryl Smalley |
30/2 |
|
p. 124 |
| Ingeborg Glier |
Claustrum Animae: Untersuchungen zur Geschichte der Metaphor vom Herzen als Kloster Vol. I, by Gerhard Bauer |
46/1 |
|
p. 125 |
| A.V.C. Schmidt |
The Voice of the 'Gawain'-Poet, by Lynn Staley Johnson |
56/1 |
|
p. 126 |
| SARAH SALIH |
Jane Cartwright, Feminine Sanctity and Spirituality in Medieval Wales, Religion and Culture in the Middle Ages |
78/1 |
|
p. 126 |
| JOHN C. HIRSH |
Nigel Morgan (ed.), Prophecy, Apocalypse and the Day of Doom: Proceedings of the 2000 Harlaxion Symposium, ns XII |
75/1 |
|
p. 129 |
| Nigel Palmer |
Approaches to Wolfram von Eschenbach: Five Essays, Mikrokosmus: Beiträge zur Literaturwissenschaft und Bedeutungsforschung, 5, by Dennis Howard Green, Leslie Peter Johnson |
51/1 |
|
p. 131 |
| ALAN J. FLETCHER |
The Preaching of the Friars: Sermons Diffused from Paris before 1300, by David d'Avray |
57/1 |
|
p. 134 |
| Kenneth Varty |
Arthurian Literature, Volume II, by Richard Barber |
53/1 |
|
p. 140 |
| Nicolas Jacobs |
Kings, Beasts and Heroes, by Gwyn Jones |
43/2 |
|
p. 144 |
| MARK BALFOUR |
Dante Alighieri: 'Hell', by Steve Ellis |
65/1 |
|
p. 148 |
| Kathleen Chesney |
Villon. Bibliothèque scientifique belge : Histoire et philologie, by Fernand Desonay |
3/2 |
|
p. 150 |
| NAOMI M.J. HOOGESTEGER |
Lesley K. Twomey, The Serpent and the Rose: The Immaculate Conception and Hispanic Poetry in the Late Medieval Period, Studies in Medieval and Renaissance Traditions 132 |
78/1 |
|
p. 152 |
| A.E. Cobby |
Brian J. Levy, The Comic Text: Patterns and Images in the Old French Fabliaux, Faux Titre 186 |
71/1 |
|
p. 152 |
| Roger Ellis |
The Middle English Mystics, by Wolfgang Riehle, Bernard Standring |
52/1 |
|
p. 154 |
| SYLVIA WRIGHT |
The Gothic Idol: Ideology and Image-Making in Medieval Art, by Michael Camille |
61/1 |
|
p. 157 |
| CORY J. RUSHTON |
Abigail Wheatley, The Idea of the Castle in Medieval England |
75/1 |
|
p. 166 |
| Brian Murdoch |
Rodney W. Fisher, The Minnesinger Heinrich von Morungen: An Introduction to his Songs |
67/1 |
|
p. 166 |
| MARION GLASSCOE |
A Book of Showings to the Anchoress Julian of Norwich. (Studies and Texts, 35). Pontifical Institute of Mediaeval Studies, by Edmund Colledge, James Walsh |
50/1 |
|
p. 170 |
| W. Ann Trindade |
The Anatomy of Love. The Tristan of Gottfried von Strassburg, by W. T. H. Jackson |
43/2 |
|
p. 173 |
| Spencer Pearce |
The Poetry of Guido Guinizelli, Garland Library of Medieval Literature, Series A, 27, by Robert Edwards |
58/1 |
|
p. 180 |
| Mahmoud Manzalaoui |
The Matter of Araby in Medieval England, by Dorothee Metlitzki |
50/1 |
|
p. 180 |
| Gordon Leff |
The Figurae of Joachim of Fiore. (Oxford-Warburg Studies), by Marjorie Reeves, Beatrice Hirsch-Reich |
43/2 |
|
p. 185 |
| Roy Harris |
The Quest for the Holy Grail. A Uterary Study of a Thirteenth-Century French Romance. (Stanford Studies in Language and Literature XXI), by Frederick W. Locke |
30/3 |
|
p. 186 |
| Colin Hardie |
Mediæval Cultural Tradition in Dante's Comedy, by Joseph A. Mazzeo |
30/3 |
|
p. 190 |
| Meg Twycross |
A Mirror of Chaucer's World, by Roger Sherman Loomis |
36/2 |
|
p. 191 |
| D. Simon Evans |
Tradition and Innovation in the Poetry of Dafydd ap Gwilym, by Rachel Bromwich |
38/2 |
|
p. 198 |
| A.C. Cawley |
Chaucer and the Tradition of Fame: Symbolism in The House of Fame, by B. G. Koonce |
37/2 |
|
p. 205 |
| Mary Salu |
Ancrene Wisse, Parts six and seven, by Geoffrey Shepherd |
29/3 |
|
p. 205 |
| Benedicta Ward |
Goffredo di Auxerre: Expositio in Cantica Canticorum. (Temi e Testi 19, 20) Edizioni di Storia e Letteratura, by Ferruccio Gastaldelli |
45/2 |
|
p. 209 |
| Roy F. Leslie |
Lazamon's 'Brut' : Eine literarische Studie. (Anglistische Forschungen 91), by Herbert Pilch |
31/3 |
|
p. 211 |
| Dennis Green |
Poets of the Minnesang. Edited with Introduction, Notes and Glossary, by Olive Sayce |
37/2 |
|
p. 213 |
| Richard Axton |
The Castle in the Circle. Ball State Monograph No. 6, by Merle Fifield |
37/2 |
|
p. 226 |
| Otto Pächt |
Meditations on the Life of Christ—An Illustrated Manuscript of the Fourteenth Century (Paris, Bibl. Nat., MS. Ital. 115), by Isa Ragusa, Rosalie B. Green |
32/3 |
|
p. 234 |
| W.O. Hassall |
Drama and Imagery in English Medieval Churches, by M. D. Anderson |
33/3 |
|
p. 241 |
| Rosemary Woolf |
The Phoenix, by N. F. Blake |
34/3 |
|
p. 241 |
| Alexander Bell |
Thomas: The Romance of Horn, Vol. II: Descriptive Introduction, Explicative Notes and Glossary. (Anglo-Norman Text Society, Nos. xii-xiii, for 1954-55), by Mildred K. Pope, T. B. W. Reid |
34/3 |
|
p. 253 |
| Betty Hill |
Blameth Nat Me. A Study of Imagery in Chaucer's Fabliaux, by Janette Richardson |
41/3 |
|
p. 270 |
| L.T. Topsfield |
The Partisan Voice. A study of the political lyric in France and Germany, 1180-1230, by Karen W. Klein |
43/3 |
|
p. 278 |
| Kathleen Chesney |
Christine de Pisan: Ballades, Rondeaux and Virelais, by Kenneth Varty |
35/3 |
|
p. 279 |
| Joan Turville-Petre |
Ingeld and Christ: Heroic Concepts and Values in Old English Christian Poetry, by Michael D. Cherniss |
44/3 |
|
p. 280 |
| David Luscombe |
Monks and Love in Twelfth-Century France. Psycho-Historical Essays, by Jean Leclercq |
49/2 |
|
p. 281 |
| Beryl Rowland |
Form and Style in Early English Literature, by Pamela Gradon |
43/3 |
|
p. 286 |
| Helen Cooper |
Chaucer and the Imagery of Narrative: the First Five Canterbury Tales, by V. A. Kolve |
55/2 |
|
p. 286 |
| Dafydd Evans |
Lexicon of the Mediaeval German Hunt, by David Dalby |
35/3 |
|
p. 288 |
| Mahmoud Manzalaoui |
Hispano-Arabic Poetry: a Student Anthology, by James T. Monroe |
49/2 |
|
p. 288 |
| Thomas D. Hill |
Bible et Civilization Anglaise: Naissance d'une tradition (Ancien Testament), (Publications de la Sorbonne Littératures 6, Études Anglaises 54), by Micheline M. Larès |
46/2 |
|
p. 292 |
| DANUTA SHANZER |
The Poetry of Boethius, by Gerard O'Daly |
63/2 |
|
p. 306 |
| R.W.V. Elliott |
The Art of the Gawain-Poet, by W. A. Davenport |
48/2 |
|
p. 312 |
| J.S. McKINNELL |
Myths and Symbols in Pagan Europe: Early Scandinavian and Celtic Religions, by H. R. Ellis Davidson |
61/2 |
|
p. 312 |
| Constance Bullock-Davies |
Early Blazon: Heraldic terminology in the twelfth and thirteenth centuries, by Gerard J. Brault |
43/3 |
|
p. 314 |
| Linda M. Paterson |
Repertorium der Gleichnisse und bildhaften Vergleiche der okzitanischen und der französischen Versliteratur des Mittelalters, Bd. III, by Werner Ziltener |
60/2 |
|
p. 314 |
| JOHN C. HIRSH |
The Manor, the Plowman, and the Shepherd: Agrarian Themes and Imagery in Late Medieval and Early Renaissance English Literature, by Ordelle G. Hill |
64/2 |
|
p. 315 |
| Douglas Gray |
Image and Abstraction. Six Middle English Religious Lyrics. (Anglistica xviii), by William Elford Rogers |
44/3 |
|
p. 315 |
| A.V.C. Schmidt |
The Yearbook of Langland Studies, I, by John A. Alford, M. Teresa Tavormina |
58/2 |
|
p. 325 |
| VINCENT MOLETA |
Dante's 'Purgatory', by Mark Musa |
52/2 |
|
p. 333 |
| Peter S. Noble |
L'Oeuvre poétique de Jacques de Baisieux, by Patrick A. Thomas |
44/3 |
|
p. 334 |
| Spencer Pearce |
Tuscan Poetry of the Duecento: An Anthology, Garland Library of Medieval Literature A 99, by Frede Jensen |
65/2 |
|
p. 335 |
| WILLIAM MARVIN |
Hunting in Middle English Literature, by Anne Rooney |
63/2 |
|
p. 336 |
| RAYMOND J. CORMIER |
Studien zur Tradition und Rezeption der Bildlichkeit in der 'Eneide' Heinrichs von Veldeke, Mikrokosmos: Beiträge zur Literaturwissenschaft und Bedeutungsforschung, 3, by Sara Stebbins |
55/2 |
|
p. 338 |
| Leslie Seiffert |
The Medieval German Lyric 1150-1300: the Development of its Themes and Forms in their European Context, by Olive Sayce |
52/2 |
|
p. 339 |
| A.V.C. Schmidt |
Piers Plowman and Christian Allegory, by David Aers |
|
|
p. 342 |
| MARTIN J. DUFFELL |
The Pervasive Image: the Role of Analogy in the Poetry of Ausias March, Purdue University Monographs in the Romance Languages, 17, by Robert Archer |
56/2 |
|
p. 343 |
| Jeffrey Hamburger |
Tobias A. Kemper, Die Kreuzigung Christi: Motivgeschichtliche Studien zu lateinischen und deutschen Passionstraktaten des Spätmittelalters, Münchener Texte und Untersuchungen zur deutschen Literatur des Mittelalters 131 |
76/2 |
|
p. 344 |
| Angus J. Kennedy |
Two Late Medieval Love Treatises: Heloise's ‘Art d'amour’ and a Collection of Demandes d'Amour. Edited with Introduction, Notes and Glossary from British Library Royal MS 16 F 11, Medium Ævum Monographs, n.s. 16, by Leslie C. Brook |
63/2 |
|
p. 344 |
| Cecily Clark |
Charles d'Orléans, ou, La Recherche d'un langage, (Bibliothèque du XVe siècle 38), by Alice Planche |
46/2 |
|
p. 350 |
| Martin Kauffmann |
The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300, by Jeffrey F. Hamburger |
61/2 |
|
p. 357 |
| MARY CLAYTON |
George Henderson, Vision and Image in Early Christian England |
70/2 |
|
p. 358 |
| Eleanor Relle |
Allegorical Imagery: Some Mediaeval Books and Their Posterity, by Rosemond Tuve |
37/3 |
|
p. 360 |
| Dennis Green |
Martin H. Jones and Timothy McFarland (eds), Wolfram's 'Willehalm': Fifteen Essays |
71/2 |
|
p. 362 |