| G.R. Mellor |
Chrestomathie de la littérature en ancien français (Vol. I. Vol. II). (Bibliotheca Romanica, Series altera, III/IV), by Albert Henry |
26/1 |
|
p. 43 |
| C.L. Wrenn |
European balladry, by William J. Entwistle |
14/ |
|
p. 44 |
| R.C. Johnston |
Rigaut de Berbezilh, Liriche, by Alberto Varvaro |
30/1 |
|
p. 51 |
| E.C. Llewellyn |
La Musique au Moyen Age. (Les Classiques français au Moyen Age, No. 73), by Théodore Gérold |
4/1 |
|
p. 52 |
| N. Denholm-Young |
Scriptorium, an International Review of Manuscript Studies, Vol. I. Fase. 1 |
17/ |
|
p. 59 |
| W. Mary Hackett |
Les Poésies de Guillaume le Vinier. (Textes Littéraires Français), by Philippe Ménard |
41/1 |
|
p. 64 |
| Richard Leighton Greene |
A Dictionary of Middle English Musical Terms, (Indiana University Humanities Series, No. 45), by Henry Holland Carter, George B. Gerhard |
32/1 |
|
p. 80 |
| L.T. Topsfield |
Anthology of the Provençal Troubadours. Second edition, by R. T. Hill, T. G. Bergin, Thomas G. Bergin, Susan Olson, William D. Paden Jr., Nathaniel Smith |
|
|
p. 81 |
| F.W. Sternfeld |
Music of the Minnesinger and Early Meistersinger: A Bibliography. (University of North Carolina Studies in Germanic Languages and Literatures, No. 32), by Robert W. Linker |
33/1 |
|
p. 82 |
| John M. Steadman |
The Medieval Anadyomene: A Study in Chaucer's Mythography. (Medium Ævum Monographs, New Series 1), by Meg Twycross |
43/1 |
|
p. 83 |
| John Stevens |
The Early Medieval Sequence, by Richard L. Crocker |
49/1 |
|
p. 96 |
| John Stevens |
Hucbald, Guido, and John on Music: Three Medieval Treatises. (Music Theory Translation Series 3), by Warren Babb, Claude V. Palisca |
49/1 |
|
p. 99 |
| ALISON M. PEDEN |
Boethius: the Consolations of Music, Logic, Theology and Philosophy, by Henry Chadwick |
53/1 |
|
p. 99 |
| SAM BARRETT |
R. Strohm and B. J. Blackburn (eds), The New Oxford History of Music, Vol. III. I: Music as Concept and Practice in the Late Middle Ages |
72/1 |
|
p. 115 |
| Grace Frank |
Le Jeu de Robin et de Marion par Adam de la Halle, précédé du Jeu du Pèlerin, by Kenneth Varty |
30/2 |
|
p. 120 |
| Nigel Palmer |
Christian Meyer, Catalogue des manuscrits notés du Moyen Âge conservés dans les bibliothèques publiques de France: Collections d’Alsace, de Franche-Comté et de Lorraine, I: Colmar, Bibliothèque municipale |
79/1 |
|
p. 127 |
| Nigel Palmer |
Lisa Fagin Davis, The Gottschalk Antiphonary: Music and Liturgy in Twelfth-Century Lambach, Cambridge Studies in Palaeography and Codicology 8 |
70/1 |
|
p. 129 |
| ALAN J. FLETCHER |
Richard Rastall, The Heaven Singing: Music in Early English Religious Drama, vol. I |
67/1 |
|
p. 129 |
| Joseph Szövérffy |
Étude lexicographique sur les séquences limousines. (Studia Latina Stockholmiensia VII), by Lars Elfving |
35/2 |
|
p. 130 |
| John Stevens |
Music in Mediaval Britain, by Frank Ll. Harrison |
30/2 |
|
p. 131 |
| J.H. Marshall |
La Littérature Occitane du Moyen Age: Bibliographie sélective et critique. (Toronto Medieval Bibliographies 7), by Robert A. Taylor |
49/1 |
|
p. 132 |
| NIGEL WILKINS |
Guillaume de Machaut: 'Le Jugement du roy de Behaigne' and 'Remede de Fortune', by James I. Wimsatt, William W. Kibler, Rebecca A. Baltzer |
60/1 |
|
p. 133 |
| ARDIS BUTTERFIELD |
Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century, by James I. Wimsatt |
63/1 |
|
p. 133 |
| John Stevens |
Liturgy and Drama in the Anglo-Norman Adam. (Medium Ævum monographs n.s.3), by Lynette R. Muir |
46/1 |
|
p. 135 |
| SIMON B. GAUNT |
Razos and Troubadour Songs, Garland Library of Medieval Literature, Series B, 71, by William E. Burgwinkle |
61/1 |
|
p. 138 |
| Linda M. Paterson |
Matilda Tomaryn Bruckner, Laurie Shepard, and Sarah White (eds and trans.), Songs of the Women Troubadours |
69/1 |
|
p. 144 |
| M.D. |
Poems from the Book of the Dean of Lismore with a catalogue of the book and indexes, by E. C. Quiggin, J. Fraser |
7/2 |
|
p. 147 |
| NIGEL WILKINS |
The Monophonic Songs in the 'Roman de Fauvel', by Samuel N. Rosenberg, Hans Tischler |
62/1 |
|
p. 148 |
| MICHAEL J. ROUTLEDGE |
Samuel N. Rosenberg and Hans Tischler (eds) (avec la collaboration de Marie-Geneviève Grossel), Chansons des trouvères: Chanter m'estuet. Edition critique de 217 textes lyriques d'après les manuscripts, mélodies, traduction, présentation et notes |
66/1 |
|
p. 149 |
| Jane H.M. Taylor |
Dominique Billy, François Clément, and Annie Combes (eds), L’Espace lyrique méditerranéen au Moyen Âge: Nouvelles approches |
76/1 |
|
p. 150 |
| John Stevens |
A Selection of English Carols. (Clarendon Mediæval and Tudor Series), by R. L. Greene |
32/2 |
|
p. 151 |
| F.M. Powicke |
Mediæval and Renaissance Studies, Vol. V, by Richard Hunt, Raymond Klibansky, Lotte Labowsky |
31/2 |
|
p. 155 |
| PETER T. RICKETTS |
Ilaria Zamuner, Giuseppe Noto, Luciana Borghi Cedrini, and Francesco Carapezza (eds), Anna Ferrari (co-ord.), ‘Intavulare': Tavole di canzonieri romanzi. Vol. I. Canzonieri provenzali: 3. Venice, Biblioteca Nazionale Marciana, V. Biblioteca Medicea Laurenziana P. Bodleian Library S. Biblioteca Ambrosiana G |
76/1 |
|
p. 156 |
| Linda M. Paterson |
La Culture populaire au moyen âge, Etudes presentees au quatrième colloque de l'Institut d'études médiévales de l'Université de Montréal, 2-3 avril, 1977, by P. Buglioni |
52/1 |
|
p. 157 |
| Andreea Weisl-Shaw |
Jerrilynn D. Dodds, Maria Rosa Menocal, and Abigail Krasner Balbale, The Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture |
79/1 |
|
p. 158 |
| John Stevens |
One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages, by Nigel Wilkins |
48/1 |
|
p. 167 |
| John Stevens |
Medieval Music, the Sixth Liberal Art. (Toronto Medieval Bibliographies 4), by Andrew Hughes |
48/1 |
|
p. 168 |
| JOHN CALDWELL |
The Rise of European Music 1380-1500, by Reinhard Strohm |
65/1 |
|
p. 174 |
| Nigel Palmer |
Harfe und Schwert. Der höfische Spielmann bei Gottfried von Strassburg, Untersuchungen zur deutschen Literaturgeschichte, 30, by Hannes Kästner |
52/1 |
|
p. 179 |
| Helena M. Shire |
Ballattis of Luve: The Scottish Courtly Love Lyric 1400-1570, by John MacQueen |
41/2 |
|
p. 180 |
| Alfred Ewert |
Corpus Cantilenarum Medii Aevi. Premiere Série, Les Chansonniers des Troubadours et des Trouvères, numéro 2 : Le Manuscrit du Roi, fonds français No. 844 de la bibliothèque Nationale. Tome I, Reproduction phototypique publié[e] avec une introduction; tome II, Analyse et Description raisonnées du manuscrit restauré, by Jean Beck, Madame Louise Beck |
8/3 |
|
p. 215 |
| Phyllis Abrahams |
Four Latin Plays of St. Nicholas from the twelfth century Fleury Play-book. Text and Commentary, with a study of the Music of the Plays, and of the Sources and Iconography of the Legends, by Otto E. Albrecht |
6/3 |
|
p. 216 |
| Peter Dronke |
Medium Aevum Vivum: Festschrift für Walther Bulst, by Hans Robert Jauss, Dieter Schaller |
32/3 |
|
p. 218 |
| Richard Leighton Greene |
Music and Poetry in the Early Tudor Court, by John Stevens |
31/3 |
|
p. 220 |
| A.B. Scott |
Der Libellus Scolasticus des Walther von Spejer: ein Schulbericht aus dem Jahre 984, by Peter Vossen |
32/3 |
|
p. 220 |
| Alfred Ewert |
Rutebeuf : Le Miracle de Théophile, by Gustave Cohen |
3/3 |
|
p. 226 |
| Alfred Ewert |
Le Jeu d'Adam et Eve, Mystère du XIIe siècle. Transposition littéraire de Gustave Cohen, by Jacques Chailley |
6/3 |
|
p. 226 |
| Anthony Gervase Mathew |
The Cambridge Mediaval History, Vol. IV: The Byzantine Empire, Part II: Government, Church and Civilisation, by J. M. Hussey |
37/2 |
|
p. 227 |
| Terence Newcombe |
Les poésies du troubadour Raimon de Miraval. (Les classiques d'oc, 4), by L. T. Topsfield |
41/3 |
|
p. 264 |
| CHRISTOPHER HOHLER |
Cambridge, Corpus Christi College 41: the Loricas and the Missal. (Costerus: Essays in English and American Language and Literature, New Series 17), by Raymond J. S. Grant |
49/2 |
|
p. 275 |
| Richard Beadle |
The Chester Mystery Cycle: Essays and Documents, with an essay, 'Music in the Cycle', by R. M. Lumiansky, David Mills, Richard Rastall |
55/2 |
|
p. 296 |
| Michel Huglo |
Ein Festoffizium des Mittelalters aus Beauvais in seiner liturgischer und musikalischer Bedeutung, by Wulf Arlt |
46/2 |
|
p. 298 |
| Peter Hunter Blair |
The Sutton Hoo Ship-Burial: A Handbook. 2nd ed., by Rupert Bruce-Mitford |
42/3 |
|
p. 301 |
| Laurence Eldredge |
Nine Medieval Latin Plays, Cambridge Medieval Classics 1, by Peter Dronke |
64/2 |
|
p. 304 |
| A.V.C. Schmidt, Leslie Seiffert, NICHOLAS MANN |
ADDENDUM: The Winchester Anthology: a Facsimile of British Library Additional MS 60577 |
53/2 |
|
p. 306 |
| MICHAEL SHIELDS |
The 'Summa musice': A Thirteenth-Century Manual for Singers, by Christopher Page |
63/2 |
|
p. 309 |
| Helen Cooper |
Records of Early English Drama: Cambridge, by Alan H. Nelson |
59/2 |
|
p. 312 |
| NIGEL WILKINS |
Machaut's Mass: an Introduction, by Daniel Leech-Wilkinson |
60/2 |
|
p. 319 |
| ARDIS BUTTERFIELD |
Gillebert de Berneville: les poésies, Textes littéraires français, 357, by Karen Fresco |
59/2 |
|
p. 324 |
| Graham A. Runnalls |
Le Jeu des Trois Rois de Neuchâtel, Textes Littéraires Français, 301, by André de Mandach |
52/2 |
|
p. 327 |
| EMMA HORNBY |
Elizabeth Eva Leach, Sung Birds: Music, Nature and Poetry in the Later Middle Ages |
77/2 |
|
p. 328 |
| Andrew M. Beresford |
Margit Frenk (ed.), Nuevo corpus de la antigua lírica popular hispánica: Siglos xv a xvii |
75/2 |
|
p. 337 |
| John Stevens |
The Early English Carols. second edition revised and enlarged, by Richard Leighton Greene |
47/2 |
|
p. 337 |
| J.H. Marshall |
An Introduction to Old Provençal Versification, by Frank M. Chambers |
56/2 |
|
p. 341 |
| SILVIA RANAWAKE |
Nicola Zotz, Intégration courtoise. Zur Rezeption okzitanischer und französischer Lyrik im klassischen deutschen Minnesang |
75/2 |
|
p. 345 |
| R.H. RICHENS |
Fifteenth-century liturgical music. II: Four anonymous masses. (British Academy Early English Church Music 22), by Margaret Bent |
49/2 |
|
p. 350 |